Music on Thursdays at LMC
3pm ♦ Thursday 27 February 2020
2pm: Annual General Meeting of the charity
Leatherhead Concert & Arts Society Please download PDF documents for the meeting by clicking on the right for the colour print Agenda & Accounts, and separately for 2019's AGM Minutes - which you may decide you do not need to print out, thereby saving trees. Everyone is invited to attend either the AGM, the concert, or both - although only current Members may vote at the AGM 3pm: AGM Piano Concert Marina Kan, piano Tickets: Free entry, with a retiring collection to cover costs Leatherhead: Methodist Church, Church Road, KT22 8AY disabled parking only on site, please use Swan Centre multi-storey at KT22 8AH |
|
Programme
Ludwig van Beethoven (1770-1827)
Piano Sonata No 14 in C# Op 27/2 Moonlight (1801)
I Adagio sostenuto slow and sustained
II Allegretto fairly quick
III Presto agitato very fast, restless
Sergei Vasilyevich Rachmaninoff (1873-1943)
Piano Sonata No 1 in D minor Op 28 (1908)
1 Allegro moderato moderately quick
Edvard Hagerup Grieg (1843-1907)
Lyrisker Stykker Lyric Pieces
Book 1 Op 12 No 1 (1866-7)
Arietta Poco Andante e sostenuto moderately slow and sustained
Book 3 Op 43 No 1 (1886)
Sommerfugl Butterfly Allegro grazioso fast and graceful
Book 6 Op 57 No 6 (1890-3)
Heimweh Homesickness Andante moderately slow
Book 4 Op 54 No 3 (1889-1891)
Troldtog March of the Trolls/Dwarves Allegro moderato moderately quick
Pyotr Ilyich Tchaikovsky (1840-1893)
transcribed for piano in 1978 by Mikhail Pletnev (b1957)
from the Ballet Music for The Nutcracker Act 2 Scene 3 (1892)
No 14 Pas de deux Andante maestoso moderately slow and majestic
Concert duration: 35-45 minutes
Marina Kan
Marina Kan Selvik is a critically acclaimed Russian-Norwegian concert pianist. Of her recent CD of music of Brahms and Robert and Clara Schumann reviewer Martin Anderson writes: Her playing reveals a technique and level of musicality, a remarkable talent for an international audience. Marina Kan Selvik plays with rhythmic suppleness, technical mastery and timbral sensitivity. Everything is in place and in order. Definitely one to follow.
Marina is prizewinner of several international piano competitions, and regularly gives solo and chamber music concerts throughout Europe. She was selected among young Scandinavian musicians as soloist with the Bergen Philharmonic Orchestra (conductor Rory MacDonald) and the Trondheim Symphony Orchestra (conductor Lars-Thomas Holm).
She has been soloist with the Armenian State Orchestra, Lithuanian National Orchestra, Norwegian Radio Orchestra (conductor Markus Lehtinen), Liepaja Symphony Orchestra (conductor Gintaras Rinkevicius), Orquesta Sinfonica de la Region de Murcia (Spain) plus orchestras in russian cities including Moscow, Volgograd, Ulyanovsk, Vladivostok, Murmansk and more.
Marina performed Rachmaninov's Third Piano Concerto during a tour with the St Petersburg State Symphony Orchestra in Russia, Finland and Norway, under conductor Alexander Titov with great success. She has been invited to perform at festivals like Kyoto International Festival, Japan, Grieg Ciurlionis Festival, Lithuania, Bergen International Festival, Norway, Oslo Chamber Music Festival, Musical Chairs Festival Montreal, Canada, Eurasian Music Games Festival, Astana, Kazakstan, and Rodyon Schjedrin-Festival Moscow.
Each year she is invited to give solo recitals at Edvard Grieg Museum Troldhaugen, Bergen, Norway, with great acclaim and praise, where she also gave a special concert for Her Majesty Queen Sonja of Norway.
Graduated from Moscow Tchaikovsky Conservatory, Marina is currently studying piano at London's Royal Academy of Music in the class of professor Ian Fountain, and conducting, receiving generous support from Ingar Doubloug Trust for her education. She has been selected as Concordia Foundation Artist for 2019-2020.
Marina is prizewinner of several international piano competitions, and regularly gives solo and chamber music concerts throughout Europe. She was selected among young Scandinavian musicians as soloist with the Bergen Philharmonic Orchestra (conductor Rory MacDonald) and the Trondheim Symphony Orchestra (conductor Lars-Thomas Holm).
She has been soloist with the Armenian State Orchestra, Lithuanian National Orchestra, Norwegian Radio Orchestra (conductor Markus Lehtinen), Liepaja Symphony Orchestra (conductor Gintaras Rinkevicius), Orquesta Sinfonica de la Region de Murcia (Spain) plus orchestras in russian cities including Moscow, Volgograd, Ulyanovsk, Vladivostok, Murmansk and more.
Marina performed Rachmaninov's Third Piano Concerto during a tour with the St Petersburg State Symphony Orchestra in Russia, Finland and Norway, under conductor Alexander Titov with great success. She has been invited to perform at festivals like Kyoto International Festival, Japan, Grieg Ciurlionis Festival, Lithuania, Bergen International Festival, Norway, Oslo Chamber Music Festival, Musical Chairs Festival Montreal, Canada, Eurasian Music Games Festival, Astana, Kazakstan, and Rodyon Schjedrin-Festival Moscow.
Each year she is invited to give solo recitals at Edvard Grieg Museum Troldhaugen, Bergen, Norway, with great acclaim and praise, where she also gave a special concert for Her Majesty Queen Sonja of Norway.
Graduated from Moscow Tchaikovsky Conservatory, Marina is currently studying piano at London's Royal Academy of Music in the class of professor Ian Fountain, and conducting, receiving generous support from Ingar Doubloug Trust for her education. She has been selected as Concordia Foundation Artist for 2019-2020.
Concert at Home
If you cannot be with us at the lunchtime concert you can enjoy a similar Concert at Home by clicking through the video buttons below:
Ludwig van Beethoven (1770-1827)
Piano Sonata No 14 in C# Op 27/2 Moonlight (1801)
I Adagio sostenuto slow and sustained ♦ II Allegretto fairly quick ♦ III Presto agitato very fast, restless
Jonah Ho was 7 when he recorded this performance in December 2018. One online comment was "this 7-year old has been playing piano for just 8 years now". It may not be the best recording, nor the finest piano, but you will soon hear what the critic meant.
How does he have the power in those little fingers to make the melody sing out like that?
On the right we hear Kiev-born Valentina Lisitsa (The Queen of Rachmaninoff) in a more nuanced performance:
Piano Sonata No 14 in C# Op 27/2 Moonlight (1801)
I Adagio sostenuto slow and sustained ♦ II Allegretto fairly quick ♦ III Presto agitato very fast, restless
Jonah Ho was 7 when he recorded this performance in December 2018. One online comment was "this 7-year old has been playing piano for just 8 years now". It may not be the best recording, nor the finest piano, but you will soon hear what the critic meant.
How does he have the power in those little fingers to make the melody sing out like that?
On the right we hear Kiev-born Valentina Lisitsa (The Queen of Rachmaninoff) in a more nuanced performance:
|
|
Sergei Vasilyevich Rachmaninoff (1873-1943)
Piano Sonata No 1 in D minor Op 28 (1908) ♦ 1 Allegro moderato moderately quick
I think we had better hear the Queen of Rachmaninoff for this one.
If you have the time or want to come back later, here are the other two movements as well:
|
|
Edvard Hagerup Grieg (1843-1907)
Lyrisker Stykker Lyric Pieces
Book 1 Op 12 No 1 (1866-7)
Arietta Poco Andante e sostenuto moderately slow and sustained This is a recording by Paul Barton, playing a Feurich piano in their works studio: Book 6 Op 57 No 6 (1890-3) Heimweh Homesickness Andante moderately slow Here Berlin-based Konrad Roman Salwa plays a Kawai RX 7 Grand piano |
Book 3 Op 43 No 1 (1886)
Sommerfugl Butterfly Allegro grazioso fast and graceful Next Andrew Yiangou plays on the Fazioli in the East Parry Room of the Royal College of Music Book 4 Op 54 No 3 (1889-1891) Troldtog March of the Trolls/Dwarves Allegro moderato moderately quick And in this recording Mikhail Pletnev is the pianist, on a Steinway concert grand: |
Pyotr Ilyich Tchaikovsky (1840-1893)
transcribed for piano in 1978 by Mikhail Pletnev (b1957)
from the Ballet Music for The Nutcracker Act 2 Scene 3 (1892)
No 14 Pas de deux Andante maestoso moderately slow and majestic
Dmytro Sukhovienko is the pianist in our recording of this lovely music for pas de deux:
We hope you have enjoyed your Concert at Home.
We expected Weekly Concerts to begin on APRIL 2nd, but events overtook us!
Music on Thursdays ▬ ONLINE
Concert for St George's Day and the Birth of Shakespeare Artistes: various Style: classical, folk, choral - ok, pretty mixed, to be honest Leatherhead: Methodist Church, Church Road, KT22 8AY disabled parking only on site, please use Swan Centre multi-storey at KT22 8AH |
click on the flag for your online concert
|
Online CONCERTS are continuing each week
until it is safe to run live concerts in our churches
take a look at our online concert programme
here
♫ ───────────────────────────────────────
|
Site Search:
Use the search box to find an artiste, composer, title, or venue mentioned on this site |
♫ ───────────────────────────────────────
The Surrey Music Diary page lists live music events, professional, semi-professional, and amateur, in Surrey & adjoining districts
To submit your event or season please click here |
♫ ───────────────────────────────────────