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Music on Thursdays - Online

Thursday 16th July 2020


From the Sagbutt to the Trombone



Artistes include:
Adam Woolf
Intro to the Sagbutt
His Majestys Sagbutts and Cornetts
Washington Cornett and Sackbutt Ensemble
Byron Fulcher
Intro to the Trombone
Philadelphia Orchestra, Trombone Section
Jörgen van Rijen • Daria van den Bercken, piano
Gabriele Marchetti • Macau Wind Symphony, Lio Kuok Man, conductor
Szeged Trombone Ensemble
2018 International Trombone Festival Ensemble: Jiggs Whigham • Denson Paul Pollard • Jennifer Wharton • Thomas Hultén • Josiah Williams • Joseph L Jefferson • Gerry Pagano • Javier Stuppard • Peter Moore • Marshall Gilkes • Martin McCain • Zsolt Szabo • Jeremy Wilson • Isabelle Lavoie • Amanda Stewart • Dr Natalie Mannix • Zoltan Kiss • Matyas Veer • Paul The Trombonist • Dr Karen Marston • Javier Nero • Dr Deb Scott • Tolga Akman • Domenico Catalano Intro to the Sagbutt• José Milton Vieira • György Gyivicsan • Brian Hecht
Baroque Brass of London
Winston Trombone Turner • Tannon Fish Williams, trumpet • Emeka Dibia Mecca Notes, voice



Starts: when you are ready
Note: latecomers will be admitted at your personal discretion

Listening position:

Relax with your choice(s) of beverage, in a place of your choosing, alone, or with members of your household or your bubble
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From the Sagbutt to the Trombone


Programme

Adam Woolf
of His Majestys Sagbutts and Cornetts
Introduction to the Sagbutt or Sackbutt



Giovanni Gabrieli (1554/1557-1612)
In Ecclesiis    In Churches

performed in rehearsal by Choir of King's College Cambridge, with
His Majestys Sagbutts and Cornetts, principally Adam Woolf's sagbutt


Giovanni Priuli (c1575-1626)
Canzona seconda à 6    Second Song for 6


performed by Washington Cornett and Sackbutt Ensemble


Byron Fulcher
principal trombonist, Philharmonia Orchestra
Introduction to the Trombone


Ludwig van Beethoven
(1770-1827)
Drei Equali   Three Equals
i Andante    ii Poco Adagio    iii Poco sostenuto

performed by the trombone section of the Philadelphia Orchestra
and introduced by Music Director Yannick Nézet-Séguin



Joseph Guy Marie Ropartz (1864-1955)
Pièce in Eb minor for Trombone and Piano, (1908)

performed by: Jörgen van Rijen and pianist


Igor Fyodorovich Stravinsky (1882-1971)
arr for trombone & piano Daniel-Ben Pienaar
Pulcinella Suite
         i Introduzione - Sinfonia
     viii Menuetto e Finale

performed by:
Jörgen van Rijen and pianist Daria van den Bercken


Nikolai Andreyevich Rimsky-Korsakov (1844-1908)
Concerto in Bb for Trombone and Military Band (1877)
    Allegro vivace
    Andante cantabile
    Allegro-allegretto. (March)


performed by Gabriele Marchetti, trombone
with the Macau Wind Symphony and Lio Kuok Man, conductor



Ludwig van Beethoven
arr for 6 trombones and 2 bass trombones, Áron Simon (b1987)
from incidental music to the play Egmont Op 84 (1809-1810)
Overture
Sostenuto, ma non troppo - Allegro    Sustained, but not too much - Fast

performed by Szeged Trombone Ensemble

Trombones: György Gyivicsan (& Artistic Director), József Tóth, Tamás Asztalos, András Pálfy, József Vörös, Zoltán Czirok
Bass Trombones: Péter Vörös, Dávid Sztranyák



ENCORE

Freddie Mercury, born Farrokh Bulsara (1946-1991)
Bohemian Rhapsody (1975)
arranged for 28 trombones as Bonehemian Rapsody (2018) by Christopher Bill (b1992)
for the 2018 International Trombone Festival in Iowa

performed by
Jiggs Whigham • Denson Paul Pollard • Jennifer Wharton • Thomas Hultén • Josiah Williams • Joseph L Jefferson • Gerry Pagano • Javier Stuppard • Peter Moore • Marshall Gilkes • Martin McCain • Zsolt Szabo • Jeremy Wilson • Isabelle Lavoie • Amanda Stewart • Dr Natalie Mannix • Zoltan Kiss • Matyas Veer • Paul The Trombonist • Dr Karen Marston • Javier Nero • Dr Deb Scott • Tolga Akman • Domenico Catalano • José Milton Vieira • György Gyivicsan • Brian Hecht
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Let us begin at the beginning. We have mentioned before that humans have always had a tendency to make noises with things they find around them. Principally, animal bones and bits of wood. So you can see how brass instruments would have developed as humans moved through the various Ages of development of their tools and technology.

Let's leap forward many hundreds of years to the point where the sagbutt, or sackbutt is used, in the 16th and 17th centuries. The instrument was already known to Italians as the trombone (large trumpet). Adam Woolf explains and demonstrates in this short video from the chapel of King's College Cambridge where he was rehearsing with the local choir, The Choir of Kings College Chapel:



You will have heard in that intro that Adam was then a member of His Majestys Sagbutts and Cornetts.

Some of us have met him before as he is also a trombonist in Mardi Brass Ensemble. That quintet were the first musicians we took into Leatherhead Trinity School, in the Summer of 2016.

Here we have one of those little insights into how musicians work. In another side-item from the recording days at King's, Adam adds a camera to his slide (the moving part of the sagbutt or trombone).

Another short video as they rehearse In Ecclesiis, by Giovanni Gabrieli, composer, and organist of St Mark's Basilica in Venice:
Sagbutt slide view and sound, rehearsing
Giovanni Gabrieli (1554/1557-1612)
In Ecclesiis    In Churches

Choir of King's College Cambridge, with His Majestys Sagbutts and Cornetts, but principally Adam Woolf's sagbutt




Before we move on to the modern orchestral trombone, here is the sound of the sackbutt in concert with cornetts, and a small organ. A more blended sound than we have heard so far.


Composer and organist Priuli was another Venetian. A collaborator and friend of Gabrieli, he left the city after Gabrieli died and he took up a post with the Habsburgs in Austria.
Giovanni Priuli (c1575-1626)
Canzona seconda à 6    Second Song for 6


performed by Washington Cornett and Sackbutt Ensemble

I have used the term 'modern trombone'. In fact the instrument is little changed since those early sagbutt days. The tubing is slightly broader, the bell is longer and wider, the mouthpiece is wider and deeper.

Unlike the French horn, cornet or euphonium, the tubing is mostly cylindrical. The others are slightly conical, growing wider all along their length, not just at the bell section.

If you see a valve on a trombone it is usually there to change the key of the instrument, whereas on the trumpet, horn or tuba valves provide the full range of notes by lengthening the tube. The trombonist and the sackbutt player do that by extending the slide.

Here, then, is a versatile instrument, found in orchestras, in brass and military bands, and equally at home in jazz and swing.

Perhaps we should have a proper introduction, from a professional player. Here is Byron Fulcher, principal trombonist of the Philharmonia Orchestra:

Beethoven is considered the first composer to specifically call for the trombone rather than the sackbutt, rather than leave it to the ensemble's choice.

This beautiful set of pieces, Drei Equali, was written in 1812 and moves us through sounds which could easily have been of the sackbutt. They are 'equal' because each part is equally difficult to perform, there is no '1st, 2nd...' here.

This is 'tower music'. In this case, music to be played from a church tower on All Soul's Day. They had their premiere at the Linz Old Cathedral on 2nd November 1812.

Equals 1 and 3 were performed at Beethoven's funeral by brass, and in a vocal arrangement of verses from the Miserere. And the three pieces were played at the funerals of Gladstone and of King Edward VII.
Ludwig van Beethoven (1770-1827)
Drei Equali   Three Equals
i Andante    ii Poco Adagio    iii Poco sostenuto

performed by the trombone section of the Philadelphia Orchestra
and introduced by Music Director Yannick Nézet-Séguin (and his cat Rafa)



Nikolai Andreyevich Rimsky-Korsakov (1844-1908)
Concerto in Bb for Trombone and Military Band (1877)
Allegro vivace
Andante cantabile
Allegro-allegretto. (March)



performed by Gabriele Marchetti, trombone
with the Macau Wind Symphony
Lio Kuok Man, conductor

Rimsky-Korsakov wrote his Concerto for Trombone and Military Band for a fellow marine officer to perform at a garrison concert on Kronstadt Island, St Petersburg, in 1878.

It has three movements, the second and third of which conclude with cadenzas.

The trombonist in our recording is Italian-born Gabriele Marchetti. His musical studies began at the age of six with accordion, then euphonium, trombone, and bass trumpet.

Since 2007 he has been member of the Italian Wonderbrass
. He has been freelance Solo Trombone for Teatro La Fenice in Venice, Orchestra del Maggio Musicale Fiorentino in Firenze, Teatro alla Scala and Orchestra Filarmonica della Scala in Milan, Orchestra Sinfonica della RAI in Torino, and more.

In 2012 Marchetti joined Theater Orchester Biel Soloturn (
www.tobs.ch/) as Solo Trombone and in 2017 he was appointed Trombone Professor at the Conservatorio F Morlacchi in Perugia and at AIMART in Rome (www.aimart.it).

He plays modern and classical period, handmade trombones, crafted to his own design by Matthias Hölle in Germany
www.hoelle-posaunen.de




Breton-French composer and poet Guy Ropartz wrote his Pièce for Trombone and Piano in 1908.

We will hear Jörgen van Rijen who is joint Principal Trombone of the Amsterdam Concertgebouw Orchestra, a founding member of Dutch ensemble New Trombone Collective and a Professor of Trombone at the Amsterdam Conservatory.



 
Joseph Guy Marie Ropartz (1864-1955)
Pièce in Eb minor for Trombone and Piano, (1908)

performed by: Jörgen van Rijen and pianist at the International Trombone Festival 2005, held at Loyola University New Orleans



Our next performance is also from Jörgen van Rijen.

We willhear two movementes from pianist Daniel-Ben Pienaar's arrangement of Stravinsky's jolly (and jolly demanding) Pulcinella Suite.

The recording was made in a broadcast, on Dutch TV, of the Sunday evening music programme Podium Witteman.


Igor Fyodorovich Stravinsky (1882-1971)
arr for trombone & piano Daniel-Ben Pienaar
Pulcinella Suite (1920)
i Introduzione - Sinfonia  •  viii Menuetto e Finale

performed by:
Jörgen van Rijen and pianist Daria van den Bercken
for NPOR's Podium Witteman on 7th
February 2016



For our closing piece we return to Beethoven, and a trombone ensemble.

Beethoven wrote the suite of incidental music for Goethe's play Egmont for full symphony orchestra.

We shall hear Áron Simon's arrangement for eight trombone (including 2 bass trombones).

Áron Simon is a graduate of Béla Bartók High School of the Arts, and the University of Szeged Music Department.

Since 2012 he has been a member of the Szeged Symphony Orchestra. He is a founding member of the group we shall hear - Szeged Trombone Ensemble.




Ludwig van Beethoven
arr for 6 trombones and 2 bass trombones, Áron Simon (b1987)
from incidental music to the play Egmont Op 84 (1809-1810)
Overture
Sostenuto, ma non troppo - Allegro
Sustained, but not too much - Fast

performed by Szeged Trombone Ensemble

Trombone: György Gyivicsan (& Artistic Director), József Tóth, Tamás Asztalos, András Pálfy, József Vörös, Zoltán Czirok
Bass Trombone: Péter Vörös, Dávid Sztranyák

These notes from classicfm.com set Egmont in its historical context, and give a description of the overture:

When the Spanish occupied the Netherlands in the 16th century, Count Egmont, member of one of the oldest and noblest families in Flanders, led resistance to the Inquisition and persecution of Protestants. For his troubles, he was arrested and executed.

Now you know this, listen again to the Egmont Overture. In the music you hear the arrest of the Count. You hear, in the deep strings, the Spanish judges prosecuting him. You hear, in the plaintive wind, his wife, mother of his 11 children, pleading for mercy for her husband.

You hear, in the fortissimo staccato notes of the brass, the verdict of guilty being given. A final piano (soft) pleading in the first violins (high trombone notes). The whole orchestra in unison on a single note is the sentence of death. A forte (loud) fall of a fourth in first and second violins is the executioner’s sword coming down.

But Beethoven has not finished. Triple piano (very very soft), slowly building to a massive fortissimo (very loud), an exhilarating passage in the major key (signifying victory) which tells us that Count Egmont’s spirit, and all he fought for, lives on; that the people of the Netherlands ultimately threw out the rapacious invader. That – as in so much of Beethoven’s work – darkness has given way to light, freedom has triumphed over oppression.

In this case he felt it particularly personally. Beethoven was writing about the land his beloved grandfather and forebears came from.

Remarks in (brackets) added by Peter Seadman who wishes he'd understood all that when he studied the piece for O-level.


ENCORE











Like many other events, this year's International Trombone Festival, due to take place in Tokyo, has had to be cancelled.

Trombonists travel from all over the world to attend this annual event, at which young players in the high school divisions have the chance to meet professional players like Peter Moore of the London Symphony Orchestra, Jiggs Whigham who plays in the Glenn Miller and Stan Kenton bands, and trombone professors from several major university departments.

Brass players have a reputation for:

 • a) being last to leave the bar before the concert
 • b) being first to find the bar after a concert or rehearsal, and
 • c) just not taking themselves too seriously.

So it is no great surprise to find a number of trombonists gathered at the Festival in 2018 with a plan to do something fun.

28 players perform Freddie Mercury's Bohemian Rhapsody... although they slightly adjust the title.

Freddie Mercury, born Farrokh Bulsara (1946-1991)
Bohemian Rhapsody (1975)
arranged for 28 trombones as Bonehemian Rapsody (2018)
by Christopher Bill (b1992)
for the 2018 International Trombone Festival in Iowa

performed by:

Jiggs Whigham - Glenn Miller, Stan Kenton
Denson Paul Pollard - Met Opera / Jacobs School of Music
Jennifer Wharton - Leader Bonegasm -
jenniferwharton.com/
Thomas Hultén - Houston Grand Opera/Houston Ballet
Josiah Williams - Blast: The Music of Disney
Joseph L. Jefferson - Southeast Missouri State University -
josephljefferson.com/
Gerry Pagano - Symphony - gerrypagano.org/
Javier Stuppard - Fresh2Def Horns/ Rath Artist
Peter Moore - London Symphony Orchestra
Marshall Gilkes - New Album!
marshallgilkes.com/
Martin McCain - Texas State University -
martinmccain.com/
Zsolt Szabo - Western Carolina University
Jeremy Wilson - Vanderbilt University -
jeremywilsonmusic.com/
Isabelle Lavoie - Thunder Bay Symphony
Amanda Stewart - St. Louis Symphony -
amandatrombone.com/
Dr Natalie Mannix - UNT -
www.nataliemannix.com/
Zoltan Kiss - Mnzoil Brass - www.zoltankiss.com/
Matyas Veer - Essener Philharmoniker Saatsoper Stuttgart - www.matyasveer.com/
Paul The Trombonist - The Internet - youtube.com/channel/UCJ6e...
Dr Karen Marston - Mt San Antonio College/Omni Brass
Javier Nero - Jazz Soloist / Composer -
www.javiernero.com/
Dr Deb Scott - Stephen F. Austin State University, Rath Artist - sfatrombones.wordpress.com/
Tolga Akman - Lätzsch Performing Artist
Domenico Catalano - SlideSticks Trio/Basel Symphony/Haag Artist
José Milton Vieira - Orchestra Brazil
György Gyivicsan - Szeged Trombone Ensemble -
szegedtrombones.com/en
Brian Hecht - Atlanta Symphony - www.brianhecht.com/
Presenter: Peter Steadman
Assisted by: Jane Forrester & Richard Miller


Further listening:

Henry Purcell (1659-1695)
from Music for the Funeral of Queen Mary Z860 (
i Funeral March

performers: Baroque Brass of London
Mark Bennet, flatt trumpet • local trumpeter Crispian Steele-Perkins, and Michael Laird, slide trumpets • Ron Bryans, sackbut •Robert Howes, percussion

Charles-François Gounod (1818-1893)
Marche funèbre d'une marionette (London, 1871)
Funeral March for a Marionette

originally written for pianist Madame Viguier, here the March seems to have been performed as the finale to a school concert.

We may know this better as the theme tune to the television series Alfred Hitchcock Presents. Hitchcock asked to take this piece with him to the BBC's Desert Island.
Jazz Night in America
Canceled Funerals


Warning: here is a short, but quite tear-jerking performance and description from Winston 'Trombone' Turner, band-leader of Brass-A-Holics, of New Orleans.

He is safely joined by Tannon 'Fish' Williams, trumpet, and Emeka Dibia (Mecca Notes), voice,

in their performance of I'll Fly Away, by southern gospel composer
Albert E Brumley (1905-77)

Canceled Funerals: Relative to other states, Louisiana experienced an early spike in COVID-19 cases. On March 16, the city of New Orleans issued social distancing guidelines that advised against gatherings of more than 10 people. That included funerals.

When a few names on the deceased list hit close to home, Brass-a-Holics bandleader Winston Trombone Turner felt they needed to be honored like they would have been, ordinarily - with music. So, in a moment when so many are offering what they can for the common good, Turner picked up his horn and called a few friends to record a performance of I'll Fly Away in City Park.

It's a song played at almost every traditional New Orleans funeral that allows the congregation to celebrate the passing of a soul from one life to the next.



We hope you have enjoyed your

From Sagbutt toTrombone

Concert Online


Watch your email and this website for next week's Online concert

our President has called for gentle harps in time for her 100th Birthday


comments welcome:  [email protected]
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What do you give the lady who, after 100 years, says she needs nothing for herself?

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Concert Selections Still Available for your listening on this Website:

Thursday

18th
June
2020

anytime

Music on Thursdays - Organs Online

Organs of Paris  ♥ Les Orgues de Paris
organs from the top 3 Parisian churches, from the concert hall, and from one other venue

artistes: Olivier Latry, Daniel Roth, Thomas Ospital, Jean Guillou, Wayne Marshall, Aaron Shows

music, including improvisations, by: Latry • Marcel Dupré • JS Bach • Debussy • Ron Goodwin • Michel-Maurice Lévy • Marshall • Katchaturian • Saint-Saëns


access concert: by clicking on the date or the pictures - from Thursday 18th June onwards
Venue: this website and a place of your choosing

cello, violoncello,
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Thursday

25th
June
2020

anytime

Music on Thursdays - Online

Flute Fest

artistes:
Sir James Galway  ♦  Lady Jeanne Galway  ♦  Paris Voxmusicorum Orchestra, conductor Ada Pelleg    ♦    Icelandic Flute Ensemble
David Antich, recorder  ♦  Leonardo Luckert, cello  ♦  Ignasi Jordà, harpsichord
Gianluca Vanzelli, flute  ♦  Kammerorchester Timisoara, conducter David Crescezi
Shin-jung Oh, flute ♦ Heo Jung-hwa, piano    ♦    Dave Valentin, jazz flute


music by: Cimarosa • Boismortier • Händel • John Rutter • Pedro Flores

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Sir James Galway & Lady Jeanne Galway
Flute Fest

Thursday

2nd
July
2020

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Music on Thursdays  - Online

guest curator Lynda Chang with a personal musical selection titled

Virtual Viola

featuring music by: York Bowen •  Telemann • Brahms • Rebecca Clarke

performances by: Ting-Ru Lai ♦ Timothy Ridout ♦ Jeremy Berry
Academia Bach de Buenos Aires


access this concert: by clicking on the date or the picture
Venue: this website and a place of your choosing

Lynda Chang, piano, guest presenter,
Timothy Ridout, viola
Thursday 9th
July 2020

anytime

Music on Thursdays  - Online

Multi Piano


music by: Rossini • Holst • Mozart • Rollins • Lavignac • Beethoven

under the hands and fingers of 55 pianists playing on 31 pianos (not all at once, of course)


and including some quite famous names among the pianists


access this concert: by clicking on the picture or the date
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      • 11 June 2020 Music on Thursdays Online: Cello Tango
      • 18 June 2020 Music on Thursdays Organs of Paris Online
      • 25 June 2020 Music on Thursdays Flute Fest Online
      • 2 July 2020 Music on Thursdays Online: Virtual Viola
      • 9 July 2020 Music on Thursdays Online: Multi Piano
      • 16 July 2020 Music on Thursdays Online: Sackbutt to Trombone
      • 23 July 2020 Music on Thursdays Online: Harp Haven
      • 30 July 2020 Music on Thursdays Online: Oboe Omnibus
      • 6 Aug 2020 Music on Thursdays Online: Gentle Guitar
      • 13 Aug 2020 Music on Thursdays Online: Unusual Instruments
      • 20 Aug 2020 Music on Thursdays Online: Viola da Gamba
      • 27 Aug 2020 Music on Thursdays Online: Music & the Military
      • 3 Sep 2020 Music on Thursdays Online: Choral Music
      • 10 Sep 2020 Music on Thursdays Online: Clarinet Compilation
      • 17 Sep 2020 Music on Thursdays Online: The Voice
      • 24 Sep 2020 Music on Thursdays Online: Beethoven 250
      • 1 Oct 2020 Music on Thursdays Online: Eddie Lee's Jazz on Thursday
      • 8 Oct 2020 Music on Thursdays Online: Diphonon Viola & Accordion Duo
      • 15 Oct 2020 Music on Thursdays Online: Marion Bettsworth, organ
      • 22 Oct 2020 Music on Thursdays Online: CarmenCo - telling Carmen's story
      • 29 Oct 2020 Music on Thursdays Online: Phil Hopkins, classical harmonica
      • 5 Nov 2020 Music on Thursdays Online: Musical Fireworks
      • 12 Nov 2020 Music on Thursdays Online: Music of the Musicals
      • 18 Nov 2020 FINAL Wednesday at Christ Church Live Organ Concert - Mark Brafield
      • 17 Dec 2020 Music on Thursdays Online: Carols with CarmenCo
    • Christ Church Leatherhead
    • 2013 Anthony Cairns Concerts
    • 2012 Anthony Cairns Concerts
    • HGS1965
    • Bitsa
    • W-I-P